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The Fujifilm GFX 100 II leans into video greater than any earlier medium format digicam, with capabilities together with full-width 4K seize for a sequence of lens codecs, 8K seize from a cropped area, ProRes 422 seize to SSD and the inclusion of waveforms and vectorscopes. You will discover out all the main points in our preliminary evaluate of the digicam.
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We knew it would be some time till we may get the digicam again to the studio, however could not resist seeing how sensible it might be to doc a quiet stroll in Derbyshire’s stunning Peak District. The GFX cannot learn out its total sensor for its 4K modes, so we wished to see what the output seemed like, utilizing the biggest area of the sensor we may: the UHD 4K mode for GF lenses.
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In the meantime, it appeared mindless to hold the brand new Fujifilm GF 30mm F5.6 T/S and Fujifilm GF 55mm F1.7R WR again from the launch in Stockholm and never use them, so, through the breaks within the rain, technical editor Richard Butler used each lenses to develop the GFX 100 II pattern gallery. The photographs are principally in direction of the tip of the gallery and embrace photographs utilizing each the lean and shift capabilities of the 30mm lens, and the 55mm in less-than-perfect lighting.
View our Fujifilm GFX 100 II pre-production pattern gallery
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